The Art of Handcrafted Jewelry

Studio Process

My work is rooted in traditional goldsmithing and engraving practices that have changed little since the 17th century. I do not use CAD or 3D printing or extreme magnification in my work. Each piece is studio work made deliberately, shaped by craft discipline, and guided by precision, restraint, and respect for materials.

The Bench

Work begins at the bench. Design unfolds through drawing, proportion, and hand fabrication through direct connection with metal and gemstones. Pieces develop through touch and technique rather than by templates or production systems. 

Hand Engraving 

Hand (or “push”) engraving can become part of the object rather than a surface afterthought. Whether added to new work or to client-supplied pieces, engraving reflects the human hand, an unmistakable tactile signature that can endure for generations if properly cared for. 

Materials

I select metals and gemstones for integrity, longevity, and ethical sourcing. Traditional alloys and finishes are used for durability and long-term wear. I mostly work in sterling, fine silver, and 18-karat gold. I do plan on experimenting with more modern materials such as stainless steel and titanium as an offering them as alternatives in the near future. 

Process

Projects begin with evaluation and dialogue. Each provided piece is assessed for material condition and structural suitability before any engraving work begins. Execution proceeds deliberately, with attention to proportion, permanence, and workmanship rather than speed or replication. Hand tools and time-tested techniques guide the outcome.

Delivery & Care

Finished work is hand-polished and accompanied by care guidance. Repairs and restorations are undertaken with the same attention to materials and technique as new work, ensuring your piece remains serviceable and loved.

For full commissions or to discuss a specific project, please drop a query on my contact page.